French artist chiefly noted for his blue monochrome paintings and for his audacious experiments with new techniques and new attitudes to art. Born in Nice; both his parents were painters. Began to paint in the late 1940s and formulated his first monochrome theories. Lived in Japan 1952-3. Became expert at judo, which he later taught in Spain and in Paris, where he lived from 1955. First public one-man exhibition at the Galerie des Solitaires, Paris, 1955. Early monochrome pictures in orange, yellow, pink, red and green, but from 1957 worked mainly in blue; also made from 1960 a number of monogolds, with gold leaf. Murals for the opera house at Gelsenkirchen 1957-9. Began in 1957 to experiment with fire paintings and 'immaterial zones of sensibility', and in 1958 with 'Anthropométries' made by a nude model pressing herself against the canvas under his direction. Member of the group Nouveaux Réalistes with Arman, Raysse, Spoerri, Tinguely, Pierre Restany and others 1960. Died in Paris of a heart attack, at the age of 34.
Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.389
Yves Klein (French pronunciation: [iv klɛ̃]; 28 April 1928 – 6 June 1962) was a French artist considered an important figure in post-war European art. He is the leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to, and as a forerunner of, minimal art, as well as pop art.
Monochrome means one colour, so in relation to art, a monochrome artwork is one that includes only one colour
Group of artists who practised a form of kinetic art using light and motion
A new exhibition at Tate Liverpool throws fresh light on the brief yet prodigiously productive career of Yves Klein
In this Performance Art 101, we take a look at the relationship between painting and performance, painting as performance and ...
This paper looks at a number of exhibitions planned and installed by artists from the late 1950s until the present ...
In 1935 Gertrude Stein wrote that in a painting there should be "no air...no feeling of air". As Steven ...
Marcel Duchamp’s phial of Paris air, Yves Klein’s The Void exhibition, Martin Creed’s Work No.227: The lights going on ...