- Georg Baselitz born 1938
- Original title
- Linocut on paper
- Support: 2010 x 1508 mm
- Purchased 1984
Not on display
P07998 Drummer 1982
Linocut 79 1/8×59 3/8 (2010 × 1508), printed and published by the artist in an edition of 10
Inscribed ‘Baselitz’ b.r. and ‘12.XII 82’ and ‘Nr.9’
Purchased from Maximilian Verlag, Sabine Knust, Munich (Grant-in-Aid) 1984
P07998 is a large linocut. By employing the large format since 1977 Baselitz has broken with the convention of the cabinet print. In the interview cited in the entry above Baselitz stated that...
the execution of the large format print requires the gestural, the corporal-gestural, in order to become master of such surfaces. It is not a matter of concepts or constructions which remain in the field of vision close to the face, as is the case with prints and drawings. The pictures have another origin, another basis. One works on surfaces not on projections. It is not indispensable that prints have a smaller space, that they are meanly arranged. Indeed I have tried to overcome that in my linocuts because their surfaces are very expansive.
Baselitz considers that the large scale allows the line to be liberated from its descriptive role and that the woodcut and the linocut eliminate the figure-ground relationship. These issues have been concerns in his paintings. Furthermore, relief printing is more flexible, especially on a large scale, than intaglio. He also saw in the large format an opportunity ‘to schematize the pattern I use to make a picture. I wanted to show, in a very simple way, mostly in black and white, the model I use to make a painting. It is a demonstration of my method’ (Henry Geldzahler, ‘Georg Baselitz’, Interview, xiv, April 1984, pp.83–4).
P07998 is printed in brown. The drummer, according to Baselitz, is not a traditional but a symbolic figure ‘signifying aggressiveness’.
This entry has been approved by the artist.
The Tate Gallery 1982-84: Illustrated Catalogue of Acquisitions, London 1986