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The title given to this object relates it to Max Ernst's 'Histoire Naturelle' (Natural History) portfolio, published in 1926. Ernst used the technique of frottage to create fantastical drawings based on rubbings taken from woodgrain. Beuys has gone directly to the source of Ernst's images by presenting a piece of wood which is beautifully textured and neatly cut into a square. This work shows that Ernst's interest in the potential of the natural world was shared by Beuys. The two German artists also share a 'rebirth' myth, as Ernst claimed to have 'died' at the start of the First World War and been resuscitated in 1918.