William Blake The Body of Abel Found by Adam and Eve c.1826

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Artwork details

Artist
William Blake 1757–1827
Title
The Body of Abel Found by Adam and Eve
Date c.1826
Medium Ink, tempera and gold on mahogany
Dimensions Support: 325 x 433 mm
frame: 367 x 473 x 44 mm
Collection
Tate
Acquisition Bequeathed by W. Graham Robertson 1949
Reference
N05888
On display at Tate Britain

Display caption

This work shows Adam and Eve discovering their dead son. His brother Cain, the murderer, flees the scene. Despite his evil deed, Cain, appears as an ideal male figure. Here, Blake’s approach is in line with that of Lavater, who argued that someone’s appearance is often ‘better than his actions’. However Lavater also suggested that in performing an evil act the person could become disfigured, perhaps explaining Cain’s contorted body.

Rather than follow Lavater here, Blake’s use of the body to invoke self-loathing, fear and, in the case of Eve, despair may be closer to pathognomy - a way of reading emotions about which Lavater remained sceptical.

March 2011

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