Around 1913, Bomberg was interested in both Cubism and Futurism. He wanted to create a new visual language to express his perceptions of the modern industrial city. He wrote: ‘the new life should find its expression in a new art, which has been stimulated by new perceptions. I want to translate the life of a great city, its motion, its machinery, into an art that shall not be photographic, but expressive.’Works like this were based on simplified figure drawings. Bomberg superimposed a grid to break up the composition into geometric sections. These were painted different colours, partially obscuring the original subject.