As 'Gloucester' demonstrates, Buckley frequently employs strongly defined abstract motifs combined with bold patterns. This tendency has an affinity with heraldry, and it derives in part from his longstanding interest in the English Renaissance, especially Tudor architecture. His use of repeated patterns relates to tapestry and also to linenfold carving. 'Gloucester' belongs to a series of his works whose titles derive from Shakespeare's history plays. In this case, Gloucester is one of the characters in 'Richard III'. This literary reference is underscored by connections with Italian Renaissance art. The linear elements and fragments of pattern allude to paintings by Uccello and Botticelli.