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Celmins's intense monochromatic images, based on photographs, focus on small and individual marks in the context of vastness. The images seem fragile because they record a specific human glimpse through a telescope or camera which is frozen in time. Celmins's serial exploration of her subjects, including ocean surfaces, allows the artist to exploit the distinct characteristics of the variety of media she uses. Celmins worked on this wood engraving for a number of years, beginning in 1995. She used an engraving tool rather than a knife to make detailed incisions which produce a variety of markings on the paper, from deep black to the white surface of the waves.