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Davie’s approach to painting has always been improvisatory (he is also a jazz musician) and he insists the titles are only invented after the work is complete. So he arrived at this title because he saw in the image ‘a distinct suggestion of the primeval womb, birth place, cavern, source of fruitfulness and love’. His approach and the imagery he found both reflect a widespread interest at the time in myth and the symbolic representation in many cultures of such fundamental processes as birth, procreation and death.

February 2010