In his early work Davie had accessed a higher level of consciousness through spontaneous or automatic painting. By the 1960s, as in this painting, he referred to this higher state by including emblems and signs associated with Zen Buddhism and magic.
This picture went through countless transformations before arriving at its final state. These hidden layers can be seen throughout the picture, perhaps suggesting levels of consciousness. Davie has described the picture as ‘an immobile and timeless frontal object of meditation, or an evocative invitation to enter, like the entrance to a place of worship’.