Fougeron was the leading artist associated with the French Communist Party in the early 1950s. Here he caricatures the increasing Americanisation of Europe, then a major target of Communist Party propaganda. Fougeron’s style plays on the comic -strips associated with American culture. A businessman greeting an American car embodies capitalism. The composition is full of elements that imply criticism of the French colonial wars in Indo-China and North Africa, the continuing nuclear threat and the exploitation of the underprivileged. The electric chair on a pedestal refers to Julius and Ethel Rosenberg, American citizens convicted of spying for the USSR.