In the 1920s, the new critical approach of writers such as Roger Fry and R.H. Wilenski released a number of British sculptors from a slavish veneration of Greek art. They began to question classical standards of beauty by looking afresh at the art of non-European cultures. Eric Gill's interest in the art of non-European cultures developed before the 1920s, largely through the influence of the philosopher and theologian Ananda Coomaraswamy. In 1908 Coomaraswamy's lecture on Indian Art made a deep impression on Gill. In this sculpture Gill explores the relationship between the sacred and the profane, drawing in particular on traditional Indian sculpture.