- Oil paint on canvas
- Support: 730 x 368 mm
frame: 898 x 556 x 63 mm
- Presented by the Trustees of the Chantrey Bequest 1962
Spencer Gore shows the kitchen at 2 Houghton Place, NW1, with his wife Mollie cooking at the gas stove. The writer John Woodeson stated that:
Mrs S. Gore informed me that she did not formally pose for the picture, but that Gore made sketches of her while she was working in the kitchen. The room is the kitchen of the Gore’s flat at 2 Houghton Place, and double doors lead to the front room.1
Three pencil studies for the painting are in private collections: one shows just the figure of Mrs Gore (356 x 254 mm), another the kitchen without any occupant (355 x 240 mm, Agnew’s, London), but the third is a graphite and blue pencil version of the oil painting’s full composition (354 x 258 mm), the only difference being that in this third drawing Gore has included the detail of their cat Bunty drinking a saucer of milk, a feature absent in the final design. None of these drawings are squared up; a squared-up watercolour for the final composition, presumably that upon which Gore based the Tate painting, was sold at Sotheby’s.2 It differs from the final painting only in that it shows Mollie standing more upright, rather than slightly bending over the stove.
Spencer Gore 1878–1914, exhibition catalogue, The Minories, Colchester 1970 (61).
Modern British & Irish Paintings, Drawings and Sculpture, Sotheby’s, London, 28 September 1994 (56, reproduced).
The ellipses indicate illegible text.
This and subsequent gas historical information supplied by British Gas.
N.R. de Lissa, Cooking by Gas: A Guide to the Correct and Economical Use of the Gas Cooking Stove, London 1913, pp.29, 28.
Notebook B357, p.26–7, Booth Collection, Archives of British Library of Political and Economic Science, London School of Economics.
Spencer Gore 1878–1914, exhibition catalogue, The Minories, Colchester 1970 (39).
- work and occupations(11,723)