- Engraving, aquatint and etching on copper
- Image: 251 x 200 mm
- Purchased 1972
Stanley William Hayter 1910-1988
P07027 Myth of Creation 1940
Inscribed ‘Etat’ b.l., ‘Myth of Creation’ b.c. and ‘S. W. Hayter 40’ b.r.
Engraving, aquatint and soft ground etching on copper, 10 x 8 (25.4 x 20.3).
Purchased from Christopher Drake Ltd (Grant-in-Aid) 1973.
Coll: The artist’s collection; Christopher Drake Ltd.
Exh: Christopher Drake Ltd, October-November 1973 (4, repr.).
Lit: Graham Reynolds, The Engravings of S. W. Hayter, 1967, p.6, repr. pl.8.
The artist explained that this work . . . ‘features heads, an elongated figure, a phallus and refers to creation in general—the division of the waters and the sky.’ (letter to the compiler 24 May 1974).
In work of this date Hayter dealt frequently with the theme of creation, at the same time investigating sources of energy through the use of line. This print is an early demonstration of his practice of combining different printing methods—in this case engraving, aquatint and soft-ground etching processes.
Published in The Tate Gallery Report 1972–1974, London 1975.