Dame Barbara Hepworth, Group I (Concourse) February 4 1951 1951
© Bowness, Hepworth Estate
Display caption
Hepworth said that this work was inspired by the interaction of people and architecture in the Piazza San Marco in Venice. Each form bears 'a specific and absolute position in relation to the others'. Her use of Serravazza marble, a quintessential classical material, is appropriate to such an Italianate source. The artist associated white marble with the Mediterranean sun. In fact, the base and the figures were all carved from a mantlepiece salvaged from her neighbour's house.
August 2004
Find similar artworks
Artist
Dame Barbara Hepworth
(127)
Category
Sculpture
(1,952)
Decade
1950-9
(1,357)
Style or ‘-ism’
20th century post-1945
(3,604)
St Ives School
(409)
Subject
abstraction
(8,371)
from recognisable sources
(3,325)
figure
(1,761)
non-representational
(6,320)
irregular forms
(1,846)
emotions, concepts and ideas
(7,970)
formal qualities
(5,712)
rhythm
(39)
universal concepts
(1,991)
environment / nature
(129)
leisure and pastimes
(3,120)
recreational activities
(1,042)
people
(21,186)
places
(23,428)
cities, towns, villages (non-UK)
(9,203)
countries and continents
(12,032)
Italy
(3,602)
symbols & personifications
(4,830)
nature
(37)






















