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Holzer’s works have a strong political emphasis, questioning how information is both controlled and received in the public domain. First exhibited at the Venice Biennale in 2007, this work forms part of a series of screenprints that reveal sensitive government transcripts relating to America’s intervention in the Middle East. Here Holzer uses a document from the National Security Archive, enlarging a military map of Iraq and setting it against a bright background. As with her earlier 'Truisms', language is Holzer’s primary concern, with the phrase "Shape the Battle Space" appearing sinisterly alongside strategic illustrations of the invasion.