In 1980 Koons exhibited a series of sculptures comprising of wall-mounted vacuum cleaners displayed in Plexiglas cases. Over the next seven years the artist produced several more configurations, using readymade objects in the creation of highly conceptual artworks. Referred to broadly as ‘The New’ these works explored the way our fantasies and desires are transferred on to ordinary objects. Gleaming seductively under the glare of fluorescent lighting, it is the newness of the 'New Hoover Convertibles' that gives them their appeal. Suspended in a state of ultimate perfection, Koons commented "if one of my works was to be turned on, it would be destroyed."