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Kounellis’s recent installations respond to the current cultural and political climate. Describing this piece as “a clash of civilisations; a meeting of technology and spirituality”, his organisation of rigid steel crucifixes upon traditionally woven Turkish carpets emphasises the contrast between industrially-made products and unique craftwork, Eastern traditions and Western ritual. While the rhythmic pattern of the textiles brings together these conflicting elements, a single tweed overcoat and trilby hat hang enigmatically at one end. Appearing like strangely dislocated fragments of a more coherent whole, Kounellis calls into question the position of the individual in relation to our wider society.