T03505 Sketch for a Figure 1926
Terracotta 8 1/2 × 4 1/4 × 1 1/2 (216 × 108 × 48)
Inscribed ‘L’ incised under base
Presented by the Lipchitz Foundation 1982
Lit: Bert van Bork, Jacques Lipchitz, The Artist at Work, 1966, repr.157 (as ‘Maquettes for Figure, 1926’, with two other terracottas); Arnason 1969, repr. 24 (bronze); Lipchitz 1972, pp. 89 ff.; Stott 1975, p.174
This is the earliest of three small terracottas, later used as studies for one of Lipchitz's largest sculptures up to that time, the 1930 ‘Figure’ (85 ins. high). Lipchitz wrote in his autobiography that he enlarged this idea at the request of a patron, and he had not thought of such a change of scale when he made the terracottas.
This sketch represents a figure, although it also borrows from the idea of the abstract zigzag pedestal of the 1921 ‘Study for a Garden Statue’ (T03523). In one of the other terracottas this connection is clearer, and Lipchitz modelled a relief of figures within the ‘head’ part, implying that the remainder was a pedestal. The large sculpture ‘Ploumanach’, 1926, is also ambiguous in this way, and can either be seen as a single head and shoulders, or as a rock with a small figure on it.
Arnason 1969 H.H. Arnason, Jacques Lipchitz: Sketches in Bronze, 1969
Lipchitz 1972 Jacques Lipchitz, My Life in Sculpture, 1972
Stott 1975 Deborah A. Stott, Jacques Lipchitz and Cubism, 1975 (reprinted 1978)
Otterlo 1977 A.M. Hammacher, Lipchitz in Otterlo, Rijksmuseum Kröller-Müller, Otterlo, 1977
Centre Pompidou 1978 Nicole Barbier, Lipchitz: oeuvres de Jacques Lipchitz (1891–1973) dans les collections du Musée National d'Art Moderne, Paris, 1978
Arizona 1982 Jacques Lipchitz. Sketches and Models in the collection of Arizona Museum of Art, Tucson, Arizona. Introduction and catalogue by Peter Bermingham, 1982]
The Tate Gallery 1982-84: Illustrated Catalogue of Acquisitions, London 1986