Joan Miró, Painting 1927
© Succession Miro/ADAGP, Paris and DACS, London 2002
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Delicate linear forms float on the open blue that Miró associated with dreams. With André Masson, Miró was the first to create imagery using automatic techniques in which forms seemed to emerge directly from the unconscious. From this he developed his own personal sign language, which simplified familiar things such as stars, birds and parts of the body. He later revealed, for example, that the white shape in this painting signified a horse.
December 2005
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