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Henry Mundy saw his painting

as entirely non-figurative

and offered purely formal interpretations of it, arguing that, 'I only want to get the right intervals between the shapes in a way that satisfies me'. However others have seen his works as alluding to both still life

and landscape

perhaps because, as the critic David Sylvester remarked, they 'relate to visual experience, to seeing in a space which is all around one, to seeing as one moves about in space'. Mundy gave titles to his works after they were finished as a way of differentiating one picture from another. The two earlier paintings that share this title were destroyed by the artist.

February 2010