Lares is based on the shape of Nash’s fireplace. To the Romans the ‘Lares’ were protective deities, sometimes worshipped at the crossroads but particularly associated with the home and hearth. Nash brought a further intimacy to this reference by including the tools of his artistic activity (a T-square and a set-square). This mysterious juxtaposition may owe something to his admiration for the work of Giorgio de Chirico, who had his first London exhibition in late 1928. Nash's new work turned towards Surrealism in the following years.