Display caption

This female figure is adapted from one entitled The Sphinx, from Rodin’s monumental bronze doors known as The Gates of Hell. Rodin kept a number of fragments of works standing around his studio on the top of classical columns, and such an arrangement may have inspired this work. Despite its rather delicate proportions, the impression here is of a full-size figure taken to an architectural scale. Such subversion of perception anticipates the impact of Alberto Giacometti’s manipulation of scale and space.

April 2009