Technique and condition
The images on the recto were all initially printed with the Piccadilly image in four colour, off-set lithography. These were then over-printed in screenprint using a range of one to twenty-six colours from stencils drawn by the artist. The verso of each print has a vignette image of the original Piccadilly scene printed in four colour, offset lithography. All six prints are based on the same image of Piccadilly Circus.
The image is made from a twenty-five colour screenprint applied over a silver printed background. The successive layers of white ink have developed a craquelure pattern over the fountain. The image is in good condition with minimal abrasion and little surface dirt. The edges and particularly the corners are extremely vulnerable to damage; the bottom left and right corners are creased diagonally and the printed surface has been ruptured. The woodpulp board extends beyond the laminated printed surface along the top and left edge. The image on the verso is generally in good condition, with brown marks visible across the surface which are possibly characteristic of the printing technique. The print is signed, dated with the edition number inscribed below the image.
The portfolio comprises of a box made from brown corrugated board, wrapped in brown card with a colour lithograph image of Piccadilly printed on the lid. The base and wrapping are held together by clear pressure sensitive tape and staples along the base. The tape has subsequently failed and caused staining to the brown card. The box is inscribed on the verso, 'Dieter Roth 6 Piccadillies, Petersburg Press'. A wooden and wire handle is attached with string to the side.