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This work belongs to a series known as the ‘Sex Pictures’, which feature mannequins and body parts obtained from medical catalogues. Sherman has often addressed themes of sexual objectification and the depiction of women in art. However, the focus on male and female genitalia, sexual display and coupling in this series is far more ambiguous. They can be seen as theatrical representations of pornography. Although voyeuristic and dysfunctional, their erotic content is deliberately undermined.