This study differs quite considerably from the final painting. It is more clearly figurative ( the abstract shapes on the left side of the finished work can be discerned in the watercolour as a representation of the Creator. From this study, Sims's process of abstraction which led to the final painting can be determined. Another study for I Am the Abyss and I Am Light is in the collection of the Whitworth Art Gallery, Manchester.
Charles Sims, ed. Alan Sims, Picture Making: Technique & Inspiration, London 1934, pp.127-30
Harold Speed, 'Charles Sims, R.A.', The Old Water-Colour Society's Club 1928-1929, vol.6, London 1929, pp.62-4