Pierre Soulages born 1919
Etching 380 x 553 (15 x 21 3/4) on Vélin Arches paper 502 x 661 (19 3/4 x 26); plate-mark 382 x 556 (15 1/16 x 21 7/8); printed and published by Lacourière, Paris in an edition of 100
Inscribed ‘Soulages' below image b.r. and ‘14/100' below image b.l.
Purchased from Galerie Lahumière (Grant-in-Aid) 1985
Lit: Soulages: Eaux-fortes, lithographies 1952-1973, Paris 1974, p.36
Soulages was encouraged to try etching by Madame Lacourière (wife of the printer) who had been inspired by the view of Soulages' paintings seen through the window of the Galerie Carré, Paris. In 1951 he was persuaded to visit Lacourière's studio and his first etchings date from the following year. P77116 is the artist's second editioned print.
In technique and style P77116 is clearly an early work. It preceded Soulages' innovations in the biting of his plates which produced the deeply impressed and distinctively shaped prints of the later 1950s. According to an account given by the artist to Christian Labbaye (Soulages 1974, p.19), the two earliest etchings that he produced were very closely allied with his paintings of the time, whereas with practice and increased confidence the later etchings realised characteristics distinct and special to the etching process.
In P77116 the main compositional elements are printed in black, and the background combines a range of greys with white, and four distinct areas of red.
Published in The Tate Gallery 1984-86: Illustrated Catalogue of Acquisitions Including Supplement to Catalogue of Acquisitions 1982-84, 1988, p.456