On loan to: Seoul Olympic Museum of Art (Seoul, South Korea)
Exhibition: Nude: art from the Tate collection
N05261 SEATED NUDE: THE BLACK HAT c. 1900
Inscr. ‘P. W. Steer’ b.r.
Canvas, 20×16 (51×40·5).
Presented by the Contemporary Art Society 1941.
Coll: Acquired by Sir John Rothenstein from the artist for the C.A.S. 1941.
Lit: John Rothenstein, ‘Two Visits to Steer’ in Burlington Magazine, LXXXV, 1944, p.202; MacColl, 1945, pp.155, 199.
Repr: Studio, CXXII, 1941, p.66 (in colour); Anthony Bertram, A Century of British Painting 1851–1951, 1951, pl.150 (in colour).
A letter from Sir John Rothenstein to MacColl (21 December 1943; the text appears again almost verbatim in the Burlington Magazine, loc. cit.) describes the writer's first visit to Steer on 19 February 1941, when, as a newly appointed buyer for the Contemporary Art Society, he found N05261 in Steer's studio and asked to bring it away as a possible acquisition for the Tate Gallery. Steer remarked to Rothenstein that he had never publicly shown this work because ‘when it was painted, years ago, friends told me it was spoiled by the hat; they thought it indecent that a nude should be wearing a hat, so it's never been shown’. Another nude study ‘The Black Hat’, which in 1945 belonged to Mrs Fox, shows this model (a Miss Geary) wearing the same hat, but standing instead of being seated.
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II