View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
As discussed in the introduction to the present section, this is one of four identified ‘colour beginnings’ for a large watercolour of Bamborough Castle (private collection)1 exhibited at the Graphic Society, London, in 1837; the others are Tate D25456, D25457 and D36321 (Turner Bequest CCLXIII 333, 334, CCCLXV 30).2
In terms of the main lines of the composition, this is similar to the other studies, but while their skies are filled with dark clouds with the castle glowing brightly against them, here the tonalities are reversed, with the castle silhouetted against a bright, almost clear sky.
Turner’s scrawled pencil inscription of perhaps six or seven words at the bottom right is effectively illegible, although the last word may be ‘Wreck’, which could relate to the finished subject. Finberg gave the title as ‘Study for picture of “Bamborough Castle (?).”’; his double quotation marks imply a transcription, though none of the other words are now easily interpreted as those indicated.
There is a faint, intermittent, darkened vertical line through the watercolour 90 mm in from the left-hand edge, catching the edge of a slight vertical fold indented from the verso. A rougher vertical fold runs down the centre, just to the left of the castle.
Blank; stamped in black with Turner Bequest monogram over ‘CCLXIII 382’ bottom right.
You might like
After Joseph Mallord William Turner Dunstanborough Castle, Northumberland
After Joseph Mallord William Turner Dunstansborough Castle, Northumberland
After Joseph Mallord William Turner Dunstanborough Castle, Northumberland, engraved by R. Brandard