436. [N05474] Christ driving the Traders from the Temple c. 1832
THE TATE GALLERY, LONDON (5474)
Mahogany, 36 1/4 × 27 3/4 (92 × 70·5)
Coll. Turner Bequest 1856 (153, one of ‘3 each (ditto [panel])’ 3'0" × 2'3"; identified by chalk number on back); transferred to the Tate Gallery 1947.
Lit. Davies 1946, pp. 157, 188 n. 16; Wilton 1979, p. 210.
Similar in style, though unfinished, to Shadrach, Meshech and Abednego (No. 346 [N00517]) which was exhibited in 1832, and painted on an identically labelled prepared panel by R. Davy. This may well have been intended as a complementary New Testament scene. The picture over the altar shows the parallel text of Moses breaking the Tables of the Law. Davies, pointing out that the architectural setting is very Romish, suggests that the picture reflects Turner's Anti-Catholicism.
The dark splash to the right of centre and other spots elsewhere, only partly removable during restoration treatment in 1975, seem to be the result of an accident in Turner's studio and may account for his abandoning the picture.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984