View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
For Turner’s drawing after this picture, no longer given to Rembrandt himself, and other pictures by or ascribed to the artist in the Louvre, see folio 59 verso of this sketchbook (D04352). Turner’s comments read:
The Good Samaritan at the Inn [Finberg: Iron] Door | is rather monotonous | ly painted upon a | brown (asphaltum) ground which pervades | through the Sky. The lights are spotty and | the Breadth lies [Finberg also suggested tells] in the half tone viz. upon the | wall, even the colouring of the figures are | of the same for the Samaritan only can be | seen colour’d in yellow and the Boys cap Red | the jacket gray. The man next stronger | and the | Traveller a dark brown and the Boy greenish and the woman with the l. cap – .