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The drawing continues on the opposite page (Tate D09924; Turner Bequest CXXXV 22). Heavy cloud is indicated on the present page, with what may be the sun showing through at the top right. The lack of landmarks makes the subject difficult to confirm, but it may relate to the succession of hills looking south towards Plymouth from Gunnislake in the background of Turner’s large painting Crossing the Brook, exhibited in 1815 (Tate N00497).1 There is a sketch of similar terrain, directly related to that part of the painting, in the Vale of Heathfield sketchbook (Tate D10274; Turner Bequest CXXXVII 48). For further discussion of various landscape and tree studies in this sketchbook in that context, see under folio 14 recto (D09910).
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, pp.93–4 no.130, pl.123 (colour).
A small, ringed spot of foxing to the left of centre shows through to the recto (D09922). There is a dark vertical band towards the right, with small black spots at the top edge, corresponding with similar marks on the opposite page.