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Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite on paper
Dimensions
Support: 112 x 90 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D13579
Turner Bequest CLXVI 67

Catalogue entry

The six figures on this page, which has been turned to the left in the portrait format, demonstrate Turner’s interest in recording the costume and activities of local people during his travels. On his 1801 tour of Scotland, Turner had kept a sketchbook of Scotch Figures (Turner Bequest LIX; D03440–D03631), recording the clothes and attitudes of people on the street as a repository of figures that he could draw upon in future. The figures on the present page are a continuation of this practice (as are sketches in the Bass Rock and Edinburgh sketchbook, Tate D13322, D13413 and D13435; Turner Bequest CLXV 1, 51 and 62).
While topographical sketches sometimes include figures that appear very much as part of their surrounding (Bass Rock and Edinburgh sketchbook, Tate D13412; Turner Bequest CLXV 50a; Scotch Antiquities sketchbook, Tate D13653–D13654, D13701 and D13744; Turner Bequest CLXVII 40a, 64a and 86), there is evidence in these figure studies that Turner was looking out for figures that fit certain ‘types’ that could be useful for future works. There are, for example, numerous sketches of people wearing tartan and plaid in the Scotch Figures sketchbook (Tate D03442 and D03446; Turner Bequest LIX 3 and 6).
In the present drawing there is just one example of tartan with the shawl of the lower right figure. Other features of Scottish dress are the striped ‘trews’ (a traditional form of trousers in Scotland) and bonnet of the figure on the top row. The two figures to the right are evidently soldiers by their diagonally-worn belts over their ‘B[lue]’ jackets and ‘W[hite]’ Tam o’Shanter bonnets. In contrast to the two labouring figures at the bottom of the page who pull a cart and carry a basket, the woman at the top right appears to wear fitted rather than loose garments including a short ‘L[ight] B[lue]’ jacket with a lace collar and a ‘R[ed] skirt, and she wears her hair in a chignon instead of covered with a hood or bonnet. Her relaxed, upright stance also contrasts with the stooping figures below, and her bags suggest that she is shopping rather than working. There is another sketch of figures with a handcart below this one on the opposite page (folio 66 verso; D13578). There is also a single figure carrying a sack on folio 67 verso (D13580) which belongs to this set.

Thomas Ardill
January 2008

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