Joseph Mallord William Turner

Mézières, with the Pont de Pierre and Church of Notre-Dame

c.1839

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Artist
Joseph Mallord William Turner 1775–1851
Medium
Gouache and watercolour on paper
Dimensions
Support: 139 x 193 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D24731
Turner Bequest CCLIX 166

Display caption

In 1839 Turner was fascinated by the complex fortifications of Mézières and its imposing sixteenth-century church crowned by a classical tower, and recorded them in numerous sketches. The domed top storey of the church shown here was replaced by a tall, tapering spire in the late 1850s, but its previous appearance is recorded in two of the earliest known photographs of Mézières, believed to date from 1855. The sight of such monumental buildings inspired Turner to paint one of his grandest gouache studies, reminiscent of his own historical oil paintings of a much earlier period such as 'The Decline of the Carthaginian Empire' of 1817 (Gallery 106).

Gallery label, September 2004

Catalogue entry

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