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With the sketchbook turned horizontally, Turner filled much of this page with panoramic views across the hills and bridges of the Seine valley from a high vantage. The sketch running along the bottom of the page is inverted in relation to the top one. Although Turner’s handling is too cursory here for the identification of a definite location for these prospects, the neighbouring pages in the volume contain sketches of similar landscapes taken around Saint-Cloud, located some seven miles west of central Paris with impressive views back to the city.1 For comparisons, see examples of the watercolours of the riverside scenery around Saint-Cloud which Turner worked up with a view to engraved reproduction around this time; Tate D24688 (Turner Bequest CCLIX 123), D24689 (Turner Bequest CCLIX 124), and D24697 (Turner Bequest CCLIX 132).
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.55, 223–8.