Although they were probably produced around the same time, there could not be a greater contrast between the style of Turner's two views of St-Florent-le-Vieil. The more finished work was produced for the published series, for which it was by the young engraver Robert Brandard. The other view looks much more spontaneous, almost as if Turner has attempted to paint the transforming action of light itself, as it begins to give shape and body to the towers on the hillside. Although it has sometimes been thought to be a study for the other work, its different viewpoint indicates Turner had some other purpose in mind in making it, and in leaving it so unresolved.
Gallery label, August 2004