View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
As Finberg points out, this study is unfinished, although the tonal modelling is highly developed, with the figure illuminated against a shadowed background.
The paper is off-white wove, attributed by Finberg to Whatman. Peter Bower, however, considers Edmeads and Pine of Ivy Mill, near Maidstone, a more likely maker.1 It was possibly manufactured as a drawing paper during the firm’s experiments with such papers in the last years of the eighteenth century. The sheet was formerly laid down on modern white cartridge paper. There is a horizontal fold across the centre and the lower right corner has been torn away.
Note in Tate catalogue files.
Blank; black chalk trials.
- religion and belief(7,306)
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