258. [N02055] The Cobbler's Home c. 1825
THE TATE GALLERY, LONDON (2055)
Mahogany, 23 1/2 × 31 1/2 (59·5 × 80)
Coll. Turner Bequest 1856 (? 155, ‘1 panel’ 2'7 1/2" × 2'0"); transferred to the Tate Gallery 1910.
Exh. Tate Gallery 1931 (29); Arts Council tour 1952 (6).
Lit. MacColl 1920, p. 33; Ziff 1980, p. 167; Marks 1981, p. 345.
A Wilkie-like interior of the kind first treated in A Country Blacksmith exhibited in 1807 (No. 68 [N00478]), and dated c. 1808–10 by MacColl. However in style it probably dates from the time of Turner's return to figure subjects in the early 1820s or even later; there are similarities in handling to the paintings of George IV's visit to Edinburgh in 1822 (Nos. 247 [N02857] and 248 [N02858]) and even to Pilate washing his Hands, exhibited in 1830 (No. 332 [N00510]).
Since the first edition of this catalogue both Ziff and Marks have supported the traditional, earlier dating but the liquid quality of the paint in particular, which is much more apparent in front of the actual picture than in reproduction, leads the compiler to retain a dating in the 1820s.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984