View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
The first significant place of interest on the route to Rome after Ancona was Loreto, a small city approximately fourteen miles to the south. In addition to offering impressive panoramic views of the surrounding countryside, Loreto was famous for its basilica, the Santuario della Santa Casa, a popular site for Catholic pilgrimage. Enshrined within the church is a small stone building, believed to be the Holy House, the home of the Virgin Mary where she received the annunciation and where Jesus spent his childhood. According to legend, the house was transported from Palestine during the thirteenth century by a host of angels and eventually carried to its present site where it came to rest amidst the laurel woods which give Loreto its name. Turner made a number of sketches in and around the city, see folio 10 (D14671).
This drawing shows the view from the Scala Santa looking towards the Santuario and the Porta Marina, the gate on the east side of the town which leads to the Piazzale Lotto and the back of the basilica. Built between 1469 and 1557 the style of the church, with its distinctive round apses topped by machicolated walls, combines ecclesiastical architecture with military-like fortifications. The white dome of the church, surmounted by an octagonal cupola, is the third largest in Italy. To the right of the dome can be seen the campanile or bell-tower, built by Luigi Vanvitelli in 1750–55, whilst in front of the church stands the circular bastion of the castellan walls. A small part of the sketch has spilled over onto the opposite sheet of the double-page spread, see folio 11 verso (D14674).
At the top of the page is a separate landscape sketch with a medieval tower. This may be the Torre del Mulino, a fortified flour mill, which can still be seen in the town of Villa Potenza, near the ancient Roman remains of Helvia Recina, approximately twelve miles south of Loreto, see folios 9 verso, 18 and 19 (D14670, D14687 and D14689). The road winding up the hill on the left leads to Macerata. Turner often used odd corners and spaces within his sketchbooks when he was in a hurry to capture passing landscapes from moving vehicles on the road.
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