View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Beyond Narni, Turner’s route to Rome continued south towards the next two post stages, Otricoli and Borghetto, where the Via Flaminia crossed the River Tiber at the Ponte Felice.1 The artist made a number of swift sketches between Narni and Borghetto. The likely chronological sequence of these views within the sketchbook is folio 71 verso (D14792), 71 (D14791) and 70 verso (D14790).
This page contains three sketches drawn with the sketchbook held vertically like a notebook. Each scene depicts the approach towards the Ponte Felice and Borghetto beyond, with the furthest view at the bottom and the closest at the top. The shaky and uncertain nature of Turner’s lines suggests they were probably drawn from the moving carriage.
The post stage itinerary was published in Reichard’s Italy, London 1818, pp.301 and 330. See Turner’s own copy (Tate, Turner Bequest CCCLXVII).