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With the sketchbook turned horizontally, Turner filled centre this page with views of Tours seen from the city’s main bridge, the Pont de Tours. This is one of a substantial number of pages featuring sketches of the city and its environs in this volume, a list of which is provided in the sketchbook introduction. Turner subsequently used these drawings as the basis for multiple colour studies and finished watercolours on blue paper with a view to engraved reproduction; see especially Tate D24712 (Turner Bequest CCLIX 147). These culminated in four printed illustrations for Turner’s Annual Tour: Wanderings by the Loire and Seine (1833–5; later reissued as Rivers of France);1 see Tate impressions T04685–T04688.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.171–83.