1879
Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.187.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.335, pp.379, 625, as ‘Vesuvius. Beginning of a finished drawing’ and ‘Vesuvius’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.555, as ‘Vesuvius. Pencil and part coloured. Exhibited Drawings, No.335, N.G.’.
1920
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.85.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, no.72, pp.54, 56, reproduced in colour, p.55, as ‘View from Naples looking towards Vesuvius’.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, reproduced p.138 pl.150, as ‘View from Naples looking towards Vesuvius’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.124, 181, 182, reproduced pl.106, as ‘Vesuvius’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.50, 80 note 39, [85], reproduced p.74 colour pl.14, as ‘Vesuvius’.
1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, pp.75, 117 reproduced no.51, as ‘Vesuvius’.
1990
Giuliano Briganti, Nicola Spinosa and Lindsay Stainton, All’ombra del Vesuvio: Napoli nella veduta europea dal Quattrocento all’Ottocento / In the Shadow of Vesuvius: Views of Naples from Baroque to Romanticism 1631–1830, exhibition catalogue, Accademia Italiana delle Arti e dell arti Applicate, London 1990, reproduced in colour, p.94, as ‘Vesuvius’.
1995
Cecilia Powell, ‘Turner’s Sketches: Purpose and Practice’, in Joyce H. Townsend (ed.), Turner’s Painting Techniques: In Context: 1995, London 1995, p.56, reproduced fig.2, as ‘Vesuvius and the Bay of Naples’.
1998
Cecilia Powell, Italy in the Age of Turner: “The Garden of the World”, exhibition catalogue, Dulwich Picture Gallery, London 1998, p.73, no.39, reproduced in colour, as ‘Vesuvius’.
2000
Andrea Gatti, Inglesi a Napoli nel Viceregno Austriaco: Lord Addison, Lord Shaftsebury, George Berkely, Naples 2000, reproduced fig.XIV, p.82, and in colour on the cover, as ‘Veduta di Napoli con Vesuvio’.
2001
Cecilia Powell, ‘Vesuvius’ in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.364.
2003
Barry Venning, Turner, Art & Ideas, London 2003, pp.156, reproduced in colour p.161, fig.94, as ‘View of Naples with Vesuvius in the Distance’.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, no.44, pp.48, [179], 185, reproduced in colour as ‘Napoli. Il Vesuvio’.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.143, as ‘Naples: Vesuvius’ [incorrectly as from the ‘Rome: Colour Studies’ sketchbook].
2009
Christopher Baker and James Hamilton, Turner és Itália, exhibition catalogue, Szépmuvészeti Múzeum, Budapest 2009, p.53, reproduced in colour, pp.[2] (detail), p.46, fig.46.
