View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Turner’s approach to the rendering of complex Gothic architecture had been much refined and practised with his studies of Lichfield, Ely and Cambridge in the course of the 1794 Midland tour, covered elsewhere in the present catalogue. Here, in a sheet that Ruskin singled out for display, the intricacy of Wells’s cloisters, dating from the early fifteenth century, and the fifteenth-century upper section of the south west tower, are juxtaposed with the early fourteenth-century nave in the clear-sighted and direct recording style that he had now mastered.
The leaf is discoloured from long exposure while on display. The last digit of Ruskin’s ‘29’ is missing owing to loss at that corner but can be deduced from similar inscriptions on preceding pages, such as folio 3 recto (D00464).
Finberg 1909, I, p.43; see also p.44.
Blank; stamped in brown ink with Turner Bequest monogram.