Nicola Tyson describes her work as ‘psycho-figuration’. Her figures tend to be oddly misshapen with puzzling proportions, usually set against a flat painted background. She uses them to examine issues of identity, gender and sexuality.
The submerged body of the Swimmer is particularly distorted by the refraction of light through water. The lower body tapers to a point like a tadpole, while the monstrously bulbous head has a pink-coloured void where a face should be. The bright colours conflict with the anxiety provoked by the distortion of Tyson’s figures.