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Study for ‘Blind Love’
Sir Edward Coley Burne-Jones, Bt
date not known
Study for ‘Blind Love’
Sir Edward Coley Burne-Jones, Bt
date not known
Study of a Male Figure for ‘Clerk Saunders’
Sir Edward Coley Burne-Jones, Bt
c.1861
Study of a Seated Woman for ‘The Hours’
Sir Edward Coley Burne-Jones, Bt
c.1866
Study of a Reclining Figure
Sir Edward Coley Burne-Jones, Bt
date not known
Head of a Girl
Sir Edward Coley Burne-Jones, Bt
c.1861
Two Studies for the Head of the King in ‘King Cophetua and the Beggar Maid’
Sir Edward Coley Burne-Jones, Bt
c.1880
Head of a Woman: ?Georgiana Burne-Jones
Sir Edward Coley Burne-Jones, Bt
c.1861
Study of Heads for a Pietà
Sir Edward Coley Burne-Jones, Bt
date not known
Head of a Girl
Sir Edward Coley Burne-Jones, Bt
date not known
Figure Study
Sir Edward Coley Burne-Jones, Bt
date not known
Study of the Head of a Female Attendant for ‘The Adoration of the Kings’
Sir Edward Coley Burne-Jones, Bt
c.1861
Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram
Sir Edward Coley Burne-Jones, Bt
c.1862
Composition Study for ‘Clerk Saunders’
Sir Edward Coley Burne-Jones, Bt
c.1861
Head of a Man
Sir Edward Coley Burne-Jones, Bt
c.1861
Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’
Sir Edward Coley Burne-Jones, Bt
c.1862, c.1863
Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’
Sir Edward Coley Burne-Jones, Bt
c.1875
Sketch of Two Seated Figures: ‘Chant d’Amour’
Sir Edward Coley Burne-Jones, Bt
c.1862–5
Studies for a Nativity
Sir Edward Coley Burne-Jones, Bt
date not known
Design for a Window: Ethelbert
Sir Edward Coley Burne-Jones, Bt
date not known
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