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Head of a Woman: ?Georgiana Burne-Jones
Sir Edward Coley Burne-Jones, Bt
c.1861
Study of Heads for a Pietà
Sir Edward Coley Burne-Jones, Bt
date not known
Head of a Girl
Sir Edward Coley Burne-Jones, Bt
date not known
Figure Study
Sir Edward Coley Burne-Jones, Bt
date not known
Study of the Head of a Female Attendant for ‘The Adoration of the Kings’
Sir Edward Coley Burne-Jones, Bt
c.1861
Study of Iseult for ‘The Marriage of Sir Tristram’. Verso: Figure of Sir Tristram
Sir Edward Coley Burne-Jones, Bt
c.1862
Composition Study for ‘Clerk Saunders’
Sir Edward Coley Burne-Jones, Bt
c.1861
Head of a Man
Sir Edward Coley Burne-Jones, Bt
c.1861
Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’
Sir Edward Coley Burne-Jones, Bt
c.1862, c.1863
Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’
Sir Edward Coley Burne-Jones, Bt
c.1875
Sketch of Two Seated Figures: ‘Chant d’Amour’
Sir Edward Coley Burne-Jones, Bt
c.1862–5
Thenot Remonstrates with Colinet
William Blake
c.1821, printed 1830
Thenot and Colinet Converse Seated between Two Trees
William Blake
c.1821, printed 1830
Thenot Remonstrates with Colinet; Lightfoot in the Distance
William Blake
c.1821, printed 1830
Thenot, with Colinet Waving his Arms in Sorrow
William Blake
c.1821, printed 1830
The Blighted Corn
William Blake
c.1821, printed 1830
‘Nor Fox, nor Wolf, nor Rat among our Sheep’
William Blake
c.1821, printed 1830
Sabrina’s Silvery Flood
William Blake
c.1821, printed 1830
Colinet’s ‘Fond Desire Strange Lands to Know’
William Blake
c.1821, printed 1830
‘A Rolling Stone is ever Bare of Moss’
William Blake
c.1821, printed 1830
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