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John Martin

1789–1854

Trees
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In Tate Britain

Historic and Modern British Art

In Tate Britain

Prints and Drawings Rooms

8 artworks by John Martin
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  • Artist biography
  • Wikipedia entry

Artist biography

Martin was born near Hexham, Northumberland. He was apprenticed first to an heraldic coach painter in Newcastle, and then to a china painter with whom he came to London in 1806. He exhibited at the Royal Academy from 1811, and at the British Institution, where he won premiums in 1817 and 1821. He designed various urban improvements for London, and painted some landscapes of the Thames Valley. He became paralysed in 1853 and died in Douglas, Isle of Man.

Martin is best-known as a painter of religious subjects and fantastic compositions. His paintings, typically vast landscapes and cityscapes peopled with a myriad of tiny figures, enjoyed great success, as did the engravings made from them. Among his principal pictures are Belshazzar's Feast (Tate Gallery T04896), The Last Judgement (Tate Gallery T01927), The Plains of Heaven (Tate Gallery T01928) and The Great Day of His Wrath (Tate Gallery N05613). Several of these were engraved by Martin himself. The engravings of The Deluge (1837) and two others were presented by the French Academy to Louis Phillippe who ordered a special medal to be struck and sent to Martin as a token of esteem. After the Belgian government bought The Fall of Ninevah, the Belgian Academy made Martin a member and the King of Belgium created him a Knight of the Order of Leopold.

Further reading:
William Feaver, The Art of John Martin, Oxford 1975

Terry Riggs
November 1997

Read more

Wikipedia entry

John Martin (19 July 1789 – 17 February 1854) was an English Romanticist painter, engraver, and illustrator. He was celebrated for his typically vast and dramatic paintings of religious subjects and fantastic compositions, populated with minute figures placed in imposing landscapes. Martin's paintings, and the prints made from them, enjoyed great success with the general public, with Thomas Lawrence referring to him as "the most popular painter of his day". He was also lambasted by John Ruskin and other critics.

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Romanticism Sublime

Artworks

Left Right
  • The Destruction of Pompeii and Herculaneum

    John Martin
    1822, restored 2011
  • The Fallen Angels Entering Pandemonium, from ‘Paradise Lost’, Book 1

    Formerly attributed to John Martin
    ?exhibited 1841
  • The Great Day of His Wrath

    John Martin
    1851–3
    On display at Tate Britain part of Historic and Modern British Art
  • The Coronation of Queen Victoria

    John Martin
    1839
  • The Garden of Eden

    John Martin
    1821
    View by appointment
  • The Last Judgement

    John Martin
    1853
    On display at Tate Britain part of Historic and Modern British Art
  • The Plains of Heaven

    John Martin
    1851–3
  • The Crucifixion

    John Martin
    published 1834
    View by appointment
See all 14

Film and audio

  • TateShots

    John Martin: Curatorial walkthrough

  • TateShots

    Ray Harryhausen on John Martin

Artwork
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