Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member

William Blake

1757–1827

Chaucer’s Canterbury Pilgrims 1810, reprinted before 1881
License this image
In Tate Britain

Historic and Modern British Art

In Tate Britain

Prints and Drawings Rooms

91 artworks by William Blake
View by Appointment

Biography

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself".

Although Blake was considered mad by contemporaries for his idiosyncratic views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". A theist who preferred his own Marcionite style of theology, he was hostile to the Church of England (indeed, to almost all forms of organised religion), and was influenced by the ideals and ambitions of the French and American Revolutions. Although later he rejected many of these political beliefs, he maintained an amicable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".

Collaboration with his wife, Catherine Boucher, was instrumental in the creation of many of his books. Boucher worked as a printmaker and colorist for his works. "For almost forty-five years she was the person who lived and worked most closely with Blake, enabling him to realize numerous projects, impossible without her assistance. Catherine was an artist and printer in her own right", writes literary scholar Angus Whitehead.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry

Artworks

Left Right
  • The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’)

    William Blake
    1826–7, reprinted 1892
    View by appointment
  • Ciampolo the Barrator Tormented by the Devils

    William Blake
    1826–7, reprinted 1892
  • The Baffled Devils Fighting

    William Blake
    1826–7, reprinted 1892
  • The Six-Footed Serpent Attacking Agnolo Brunelleschi

    William Blake
    1826–7, reprinted 1892
  • The Serpent Attacking Buoso Donati

    William Blake
    1826–7, reprinted 1892
  • The Pit of Disease: The Falsifiers

    William Blake
    1826–7, reprinted 1892
  • Dante Striking against Bocca Degli Abati

    William Blake
    1826–7, reprinted 1892
  • Job and his Family

    William Blake
    1828, reprinted 1874
    View by appointment
See all 181

Artist as subject

  • The Man Who Taught Blake Painting in his Dreams (after William Blake)

    Attributed to John Linnell
    c.1825
    View by appointment
  • The Man Who Taught Blake Painting in his Dreams (counterproof)

    After William Blake
    after c.1819–20
    View by appointment
  • Study for Portrait II (after the Life Mask of William Blake)

    Francis Bacon
    1955
  • The Unfinished Conversation

    Sir John Akomfrah CBE
    2012

Film and audio

  • Podcast

    The Art of the Hustle

Features

Left Right
  • Look Closer

    William Blake's illustrations to Dante's Divine Comedy

  • Look Closer

    William Blake's cast of characters

  • Look Closer

    William Blake's Jerusalem

  • Look Closer

    William Blake's Songs of Innocence and Experience

  • Tate Etc

    Private View: Stay as you are, Mrs Blake

    Tim Winton

  • Tate Etc

    William Blake and Bob Marley: Poets and Prophets

    Raymond Antrobus

In the shop

Browse the shop
Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved