Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • Shop
Become a Member
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • Tate Modern
    Tate Modern Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
Become a Member
Tate Britain Exhibition

Art Now Lightbox: Laure Prouvost It, heat, hit 2010

6 March – 2 May 2010
Laure Prouvost It, hit, heat 2010

Laure ProuvostIt, hit, heat 20106 minutes video 

© Courtesy the artist and MOT Internation

Laure Prouvost It, hit, heat 2010

Laure Prouvost It, hit, heat 2010

Laure Prouvost uses the irresistible pull of the narrative tradition within film to seduce and entertain the viewer with witty and mesmerising juxtapositions of text and image. Yet implied storylines are quickly undermined by out-of-context comments and visuals that introduce a surreal dimension to the viewing experience.

It, heat, hit 2010 is a new work that constructs and propels an inferred story through a fast-moving sequence of written commentary and excerpts of everyday incidents and pictures that have been filmed by the artist. Innocent and pleasing images, such as a swimming frog or snowy street scene, are followed by statements of love and implied violence. These are inter-cut with strange, disconnected images, such as close-ups of flowers, body parts or food.

The mood of the film gradually becomes darker and more unsettling, though nothing is stated directly. The growing intensity of the film is reinforced by the oppressive rhythm of a drum which accompanies snatches of music and speech.

As with Prouvost's other films, the pace tests the limits of perception and makes it hard to take in every image and comment. Repeated viewing subtly shifts what is understood each time, as Prouvost highlights the slipperiness of meaning and notions of reality.

Selected biography

Laure Prouvost was born in 1978 in Croix-Lille, France, and lives and works in London. She graduated from Central Saint Martins College of Arts in 2002. In 2009 she completed the LUX Artist Associate Programme. Her work, which includes painting, video, sound and site-specific work, has been exhibited widely and solo exhibitions include After the boutcher, Berlin (2009) Lighthouse, Brighton.

Group exhibitions and screenings include Whitechapel Art Gallery; BFI, London; EAST International, Norwich; MOT Gallery, London; Guangzhou Triennial; St Gervais Centre, Geneva (2008).

She won the EAST International Award 2009 in Norwich, UK. Since 2003 she has also been Director of tank.tv, the online platform for artists' work in moving images.

Drums and Sound Design: Panos Ghikas / Additional drums: Saulyus Chyamolonskas

Thank you: Hoon Yoon, Pia Ostlund, Yashi and Doug Tang, Mark Webber, Tom Humphreys, Tim Braden, Anna and Bernard Prouvost, Una Knox, Nicole Bachmann, Ben Seymour, Birgit Ludwig.

Tate Britain

Millbank
London SW1P 4RG
Plan your visit

Dates

6 March – 2 May 2010

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest
Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved