Join anthropologist Christopher Pinney for an insight into the different motivations for destroying art, the evolution of iconoclasm in British society, and how these troubled objects enter museum collections.
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From the suffragette who took a cleaver to Velázquez’s Rokeby Venus in the National Gallery in 1914 to the ...
Alison Gingeras, John Baldessari, Gisela Capitain, and others on Martin Kippenberger, Tate Etc. issue 06