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Tate Modern Exhibition

Edward Hopper

7 May – 5 September 2004
Edward Hopper Automat 1927

Edward Hopper Automat 1927 Oil on canvas 71.4 x 91.4 cm

© Des Moines Art Center, Iowa; Permanent Collection

Edward Hopper Automat 1927

Edward Hopper Automat 1927

Edward Hopper (1882-1967) is considered to be one of America's greatest modern painters. This retrospective exhibition is the first major Hopper show to take place in the UK for over twenty years and presents many of his most iconic images.

Hopper's enduring popularity stems from his ability to stage scenes from everyday life in a way which also addresses universal concerns. His contemplative studies of modern life, captured within the stark interiors of automats, motel rooms, diners and movie theatres have a timeless quality, transcending the hour and the place to become profound statements about the human condition. It is this quality which has inspired generations of artists, writers and film makers including David Hockney, Mark Rothko, Alfred Hitchcock, Todd Haynes and Norman Mailer.

Hopper believed that the artist's goal was to reveal the truth about the everyday and the interior life of ordinary people. His paintings are flooded with penetrating beams of sun or moonlight which expose isolated figures in sparsely furnished rooms, portraits of aloneness, absorbed in themselves and detached from their world. Another major theme of Hopper's work is the use of American venacular architecture, often cropped in a way to increase psychological tension and heighten the feeling of isolation.

This exhibition features seventy works ranging from his early Parisian subjects to the poignant portraits of American life created more than sixty years later. It also presents his iconic streetscapes of New York, including the much-loved paintings Nighthawks and Automat.

Tate Modern

Bankside
London SE1 9TG
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Dates

7 May – 5 September 2004

Find out more

  • Edward Hopper Office at Night 1940

    The Separateness of Things, Victor Burgin

    Victor Burgin

    In 1986 Victor Burgin made a series of photographic works based on Edward Hopper's painting Office at Night 1940 featuring a female secretary and male boss. In this paper, which is based on a talk given at Tate Modern in 2004 at the time of a major Hopper exhibition, Burgin described the relationship of his own works to Hopper's painting, exploring the sexual codes implicit in both.

  • Edward Hopper Automat 1927

    The pleasures of sadness

    Alain de Botton

    Edward Hopper belongs to a particular category of artist whose work appears sad but does not make us sad…perhaps because they allow us as viewers to witness an echo of our own griefs and disappointments, and thereby to feel less personally persecuted and beset by them. Alain de Botton discusses The pleasures of sadness

  • Edward Hopper Chop Suey 1929

    Edward Hopper and British Artists

    David Fraser Jenkins

    This article examines the changes in Edward Hopper’s painting style during his stays in Paris between 1906 to 1910, and compares his work to that of certain British contemporaries, notably Walter Sickert, Gwen John and J.D. Fergusson. The comparison highlights Hopper’s response to the legacy of Impressionism and his highly individual approach to the sensuality of life in the modern city.

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